Electronic Publication/s

Ideas Crossing the Atlantic

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Preliminaries

page 1

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Table of Contents

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Acknowledgements

page 9

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WALDEMAR ZACHARASIEWICZ - CHRISTOPH IRMSCHER

Introduction

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Henryk Sienkiewicz and the Great American Novel

page 19

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Frederick Philip Grove: An Internationalist in Early Literary Canada

page 39

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Europe as Seen through the Lens of the U.S. South: Booker T. Washington’s The Man Farthest Down

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Hemingway between American Myths and European Reality

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American Ideas about Charity, Sacrifice, and the Nursing Profession during The Great War: Autobiographical Writings of Nurses Serving at the Front

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“The Luck Is on Our Nose”: Ideas of Plastic and Reconstructive Surgery Crossing the Atlantic

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The Reluctant Aeneas: Virgil and Empire in Faulkner and Tate

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“Each of Us Beholds Himself in You”: Reading Wallace Stevens and George Santayana

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WALDEMAR ZACHARASIEWICZ

Thornton Wilder’s European Sojourns, Literary Contacts, and His Role as a Transatlantic Mediator

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“Traveling Ideas” - American Pragmatism and European Philosophical Discourse: Aspects of a Stimulating Interaction

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The Interpretive Approach Crossing the Atlantic

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Jean-Paul Sartre in the International Context of the Post-War Period and the Reception of Existentialism in the USA

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Crossing the Atlantic: American Inspirations for Hannah Arendt’s Concept of the Political

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Wittgenstein Goes West

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Denazification in Germany and the Rockefeller Foundation

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CHRISTOPH IRMSCHER

Daniel Aaron’s Atlantic Crossings

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Before the Fall: Erskine Caldwell and Margaret Bourke-White’s 1938 Visit to Czechoslovakia

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The Political and Cultural Transfer of Ideas by Way of American Drama to Slovenian Theater and Literary Criticism Immediately after World War Two

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The Productive Reception of the American Hard-Boiled Detective Novel in Post-1945 Austrian Literature

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European Existentialism Becomes an Impetus for Change in the American South: Carson McCullers's Clock without Hands

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Reappraising Diversity: Canadian Multicultural Literature as World Literature in English

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Frederick Kiesler’s Visions and Ideas in Europe and the USA

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Heinrich Schenker’s Theory of Tonal Music in the American Academia

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Austrian Art-Historical Method in the United States: Meyer Schapiro and Emil Kaufmann

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Moving Images, Changing Perspectives: A Transatlantic Interdisciplinary Look at Billy Wilder’s The Emperor Waltz (1948)

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LIST OF CONTRIBUTORS

page 427

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INDEX

page 437

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