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Theorien der Landschaftsmalerei im 18. Jahrhundert und ihre literarischen Auswirkungen.

    Maurizio Pirro

Sprachkunst Jahrgang XL/2009/2. Halbband, pp. 201-214, 2011/05/17

Beiträge zur Literaturwissenschaft

doi: 10.1553/spk40_2s201

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doi:10.1553/spk40_2



doi:10.1553/spk40_2s201


Abstract

Landscape painting and the theories of pictorial representation related to it exerted a considerable influence on the transformation of the idea of imitation of nature in 18th century literature. This essay attempts to consider the change from a merely imitative practice into a decisively fictionalised, antihermeneutical form of natural representation. For examples it draws on theoretical treatises and the specific issues of idyllic poetry.