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Kunst – Leben – Mütter. Bertolt Brechts ›Baal‹ zwischen Hanns Johsts ›Der Einsame‹ und Andreas Thoms ›Ambros Maria Baal‹.

    Florian Gelzer

Sprachkunst Jahrgang XL/2009/2. Halbband, pp. 239-260, 2011/05/17

Beiträge zur Literaturwissenschaft

doi: 10.1553/spk40_2s239

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doi:10.1553/spk40_2



doi:10.1553/spk40_2s239


Abstract

Among the numerous literary sources of Bertolt Brecht’s ›Baal‹, there are also two contemporary works of expressionism, Hanns Johst’s drama ›Der Einsame‹ and the novel ›Ambros Maria Baal‹ by Andreas Thom. The texts are connected by a similar thematic constellation: In each case, a young poet stands in the centre, who suffers, and eventually dies, from a conflict between artistry and attachment to his mother. As a result, the three texts can be viewed as variations on the issues of artistry and the generation gap typical of expressionism.