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Beiträge zur Rechtsgeschichte Österreichs 2 / 2013recht [durch] setzen - Making Things Legal.
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Virginia AMOROSI (Neapel)
Migration, Labour and Legal Discourse in the early 20th Century
A French-Italian Example in the Making of International Labour Law …
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Verlag der Österreichischen Akademie der Wissenschaften Austrian Academy of Sciences Press
A-1011 Wien, Dr. Ignaz Seipel-Platz 2
Tel. +43-1-515 81/DW 3420, Fax +43-1-515 81/DW 3400 https://verlag.oeaw.ac.at, e-mail: verlag@oeaw.ac.at |
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DATUM, UNTERSCHRIFT / DATE, SIGNATURE
BANK AUSTRIA CREDITANSTALT, WIEN (IBAN AT04 1100 0006 2280 0100, BIC BKAUATWW), DEUTSCHE BANK MÜNCHEN (IBAN DE16 7007 0024 0238 8270 00, BIC DEUTDEDBMUC)
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Beiträge zur Rechtsgeschichte Österreichs 2 / 2013, pp. 465-472, 2014/01/30
recht [durch] setzen - Making Things Legal.
Gesetzgebung und prozessuale Wirklichkeit in den europäischen Rechtstraditionen
After World War II in Central and Eastern Europe cinema and literature were harnessed in the construction of a new order (as earlier in the USSR). Contrary to traditional belief, it was built not only on violence. Ideology played a fundamental role in the escape from postwar nihilism and convinced many intellectuals to join building the “better world”. The propaganda was supposed to effectively influence the minds of those who did not understand the laws of historical necessity. Law-making and the making of cultural texts were tied together in an unprecedented way. Which results did it bring to cinematography? How did the law and cultural texts present the new order? Which conclusions remain relevant from that lesson of “making things legal”?