![]() |
![]() |
Sprachkunst Beiträge zur Literaturwissenschaft
Jahrgang XLIX/2018, 2. Halbband
|
![]() |
Verlag der Österreichischen Akademie der Wissenschaften Austrian Academy of Sciences Press
A-1011 Wien, Dr. Ignaz Seipel-Platz 2
Tel. +43-1-515 81/DW 3420, Fax +43-1-515 81/DW 3400 https://verlag.oeaw.ac.at, e-mail: verlag@oeaw.ac.at |
![]() |
|
DATUM, UNTERSCHRIFT / DATE, SIGNATURE
BANK AUSTRIA CREDITANSTALT, WIEN (IBAN AT04 1100 0006 2280 0100, BIC BKAUATWW), DEUTSCHE BANK MÜNCHEN (IBAN DE16 7007 0024 0238 8270 00, BIC DEUTDEDBMUC)
|
![]() |
![]() |
Sprachkunst Beiträge zur Literaturwissenschaft
Jahrgang XLIX/2018, 2. Halbband ![]()
ISSN 1727-6993
Online Edition ISBN 978-3-7001-8623-6 Print Edition ISBN 978-3-7001-8493-5 Online Edition
Norbert Bachleitner
S. 65 - 90 doi:10.1553/spk49_2s65 ![]() Verlag der Österreichischen Akademie der Wissenschaften doi:10.1553/spk49_2s65
Abstract: The works of these two key Modernist artists exhibit a number of similar features: Joyce’s abandonment of personal and representational narration can be likened to Schönberg’s rejection of functional theories of harmony. Through rational constructions – based on structural constraints such as twelve-tone sequences and the Gilbert and Linati schemata – both artists systematically explore the limits and possibilities of their chosen material, with Schönberg’s emancipation of dissonance and Joyce’s highly artificial idiom in ›Finnegans Wake‹ expanding the possibilities of associating musical or literary meaning. Published Online: 2019/09/17 07:21:44 Document Date: 2019/09/16 10:54:00 Object Identifier: 0xc1aa5576 0x003ae8bc Rights: .
Aufsätze
|
![]() |
Verlag der Österreichischen Akademie der Wissenschaften Austrian Academy of Sciences Press
A-1011 Wien, Dr. Ignaz Seipel-Platz 2
Tel. +43-1-515 81/DW 3420, Fax +43-1-515 81/DW 3400 https://verlag.oeaw.ac.at, e-mail: verlag@oeaw.ac.at |