Bild

Ein gefälschtes Zwischengoldglas in der Antikensammlung der Universität Heidelberg

    Solvejg-Marie Langer, Christian Grünert

Mitteilungen zur Christlichen Archäologie 27, pp. 59-70, 2021/11/04

doi: 10.1553/micha27s59

doi: 10.1553/micha27s59

PDF
X
BibTEX-Export:

X
EndNote/Zotero-Export:

X
RIS-Export:

X 
Researchgate-Export (COinS)

Permanent QR-Code

doi:10.1553/micha27



doi:10.1553/micha27s59



doi:10.1553/micha27s59

Abstract

The article deals with a so far unknown gold-glass (inv.-no. 26/7), which the two authors came across during their work in the Collection of Classical Antiquities of the Institute of Classical Archaeology and Byzantine Archaeology at the Ruprecht Karl University of Heidelberg. The painted decoration shows a golden Christogram on a red background, which is enclosed by two differently structured frames. Based on its manufacturing technique and the material used for its production, as well as the iconography and style of its decoration, the gold-glass in Heidelberg can be identified not only as a modern forgery, but also fits into an already known group of forged sandwich gold-glasses.

Keywords: gold-glass, Heidelberg, Christogram, forgery