• Dahlia Shehata - Florian Leitmeir - Kamila Wysłucha - Stefan Hagel (Editors)

Journal of Music Archaeology

Volume 1, 2023

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The Journal of Music Archaeology (JMA) is the first double-blind-reviewed open access periodical in the field of music archaeology, continuing the spirit of the series Studien zur Musikarchäologie, formerly published by the DAI. It addresses questions concerning the archaeology of sound and rhythmical behaviour of past cultures all over the globe, including the study and reconstruction of certain or possible sound tools, the investigation of soundscapes, especially where intentionally chosen or erected, as well as related historical, anthropological and ethnological research based on iconographies, literatures, and comparative studies reflecting the wide range of approaches and methodologies that has characterised music archaeology from its beginnings.

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Journal of Music Archaeology

ISSN 2960-4184
Online Edition

ISBN 978-3-7001-9449-1
Online Edition



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Verlag der Österreichischen Akademie der Wissenschaften
Austrian Academy of Sciences Press
A-1011 Wien, Dr. Ignaz Seipel-Platz 2,
Tel. +43-1-515 81/DW 3420, Fax +43-1-515 81/DW 3400
https://verlag.oeaw.ac.at, e-mail: bestellung.verlag@oeaw.ac.at
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Only Pottery Drums in the Stone Age? Advantages and Disadvantages of Wooden versus Pottery Drums Relating to Production and Sound

    Luboš Chroustovský

Journal of Music Archaeology, Volume 1, 2023, pp. 125-141, 2024/10/28

Volume 1, 2023

doi: https://doi.org/10.1553/JMA-001-06


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doi:https://doi.org/10.1553/JMA-001-06

Abstract

Hundreds of possible prehistoric pottery drums made in Central Europe, mainly from the Late Neolithic (especially the TRB culture) have been found. Their forms vary from funnel-shaped, goblet to hourglass. It is not difficult to imagine equivalent or alternative forms of drums made from hard plant tissues, which are missing in the archaeological record during these or even other periods. Aside from a thought experiment based on archaeological knowledge, experimental and experiential research is presented here with three main examples of wooden drums – a simple frame drum from a branch imaginable since the Palaeolithic, a cylindrical double-headed drum made from a log with a rotten inside, and a wooden alternative to a TRB goblet drum that is compared to a ceramic replica of the same type of TRB drum in terms of material characteristics, technology, tools, skill, productions costs, time requirements and durability. The experience and results prove that simple frame drums are the fastest and the easiest option, followed by cylindrical drums made from logs, however production costs of wooden vessel drums greatly exceed those of pottery ones.
Thin walls make ceramic drums much worse in terms of manipulation, playing and durability, but fairly better in clear and loud sound production. The presented examples are closely related to Central European prehistory, but they may serve as valuable analogies to other geographical or cultural contexts as well.

Keywords: Drums; Woodworking ; Experimental archaeology; Stone Age