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Österreichische Zeitschrift für Kunst und Denkmalpflege
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Die „Österreichische Zeitschrift für Kunst und Denkmalpflege“, ÖZKD, geht auf die „Mittheilungen der k. k. Central-Commission zur Erforschung und Erhaltung der Baudenkmale“, Band I erschienen 1856, zurück und wird in der heutigen Form seit 1952 publiziert. Der Schwerpunkt liegt auf den Themen Bauforschung, denkmaltheoretischen Beiträgen und architekturhistorischen Forschungen in Österreich und Europa. Einzelne Ausgaben erläutern die Restaurierung von Denkmalen im restauratorischen Kontext oder berichten über die Ergebnisse von Tagungen und Fachgesprächen. Die ÖZKD gibt damit den aktuellen Diskussions- und Forschungsstand in den Bereichen Denkmalschutz und Denkmalpflege wieder.
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Verlag der Österreichischen Akademie der Wissenschaften Austrian Academy of Sciences Press
A-1011 Wien, Dr. Ignaz Seipel-Platz 2
Tel. +43-1-515 81/DW 3420, Fax +43-1-515 81/DW 3400 https://verlag.oeaw.ac.at, e-mail: verlag@oeaw.ac.at |
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DATUM, UNTERSCHRIFT / DATE, SIGNATURE
BANK AUSTRIA CREDITANSTALT, WIEN (IBAN AT04 1100 0006 2280 0100, BIC BKAUATWW), DEUTSCHE BANK MÜNCHEN (IBAN DE16 7007 0024 0238 8270 00, BIC DEUTDEDBMUC)
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ÖZKD LXXIX 2025 Heft 1, pp. 65-71, 2025/05/08
Monitoring in der Archäologie
Rock paintings in the Northern Limestone Alps have been documented by the Austrian Federal Monuments Office and by ANISA, the Association for Alpine Research, since 2016. The documentation aims to record the almost 1,000 famous rock painting stations, which contain around 30,000 to 40,000 individual images, in a digital land register that will capture each rock painting in its state of preservation as of the documentation date and provide information on its contents. Moreover, there are plans to create a database in the future. As a temporary solution, a keyword index of the rock painting stations included will be created in Word and PDF formats. The rock painting documentation is seen as groundwork for further scientific research. Between 2016 and 2024, 950 rock painting stations were documented and 900 finding reports were created (equal to 18,000 A4 pages when printed). These were printed out for further archiving. In addition to documenting their current state, protective measures are necessary for the rock painting stations. However, those stations represent a transient cultural heritage that is jeopardized by outside influences such as weathering and human activity. Therefore, ANISA gives data only to designated specialists at the individual stations who strive to research the rock paintings and are dedicated to protecting the monuments. The visual inspection will be possible after the work is completed beginning in 2026.